With much more complex projects incorporating multiple exposures, composite images, or even high-end portrait retouching, these same tools will give you a ton of flexibility while retaining your non-destructive edits. Hopefully, this gives you an insight into the toolset that adjustment layers offer. This is just a basic edit and is one that, if you wanted to take the extra time, you could easily achieve in Develop mode, though I think it is more work and doesn't give you as much control. Using this image as an example, let's walk through my creative process in ACDSee Photo Studio Ultimate 2018’s Edit mode and try to make the image represent the scene I was in.
As a result, the raw image did not capture the depth of colors that were being reflected off the fog. Since I was there on assignment and not prepared to shoot any landscapes, I only had a second to turn around and snap a couple of quick shots. As I continued shooting, I kept one eye on the skyline behind me, hoping that the fog would remain long enough for the sun to light it up at sunset. In this example, I was shooting an assignment right before sunset when I noticed some fog rolling into Boston off the waterfront. Once I am happy with the raw edit, I will start working on the image to apply any creative vision I or the client might have. For instance, I often re-edit old images for Instagram in a different way than I might have originally intended. This gives me a good base if I want to return to the image in the future with new intentions and a more creative edit.
Whenever I start editing an image, I always start by trying to edit the raw file in a way that represents the original scene as I saw it.
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